A chassis probably produced in February or March 1965 - pot codes "AM" = January 1965 - in a box (with serial number plate) that is some months later. Further pics here. Thanks to Dennis.
AC50 serial number 1004B has just come to light - single channel (2 inputs), copper panel, small thin-edged box. Thanks to Simon for the picture.
A good close-up of the label of one of the Fanes belonging to AC50 Super-Twin serial number 5533.
Model no. 122/17, 25 watts power handling, 15ohms. Serial numbers can be a good guide to the relative dates of cabinets. Note the Fane part no. 7470.
14th July (2)
The page on large-box AC50 (Super-Twin) cabs has been updated. Further material to be added shortly.
Currently on ebay, AC50 serial number 2787, needing some attention. The amp is one of a batch produced around March 1965 by Triumph with eyelet tagboards for the bias circuitry. Others are here.
A recently surfaced twin-channel amp in a small box added here - serial number 1311. The lowness of the number is simply a consequence of the boxing process: a new chassis from Triumph was put, at JMI, into a box, complete with serial number plate, that had been made a good number of weeks before. Thanks to Frank and Tom for details and pictures.
Click for a slightly larger image. Harrison's AC50 on stage at the Cinema Cyrano, Versailles, 15th January 1964. Note the Bulgin fuseholder on the back panel (one was also present on McCartney's AC80/100).
Also note the little bits of tape on the control panel marking the settings for the controls, and the cigarette about to burn the tolex.
A couple of new amps with serial numbers in the 6000s added on this page. Both have double pin corner protectors. The amp with the lowest serial number certainly to show these is serial no. 6471.
"Melody Maker" magazine, 5th October 1968 - the new Orange shop on New Compton Street. Part of the premises had formerly been owned by JMI. Two AC50s in stock. The Vox Essex bass amp must have been an import from the USA.
The Orange shop in the 1970s (?). Pic from this page.
No AC50, but one can just see a Vox Supreme middle left.
"Melody Maker" magazine, 27th July 1968. Small ad advertising a Vox 50 watt PA new in boxes.
Serial numbers for PA amps were part of the sequence for the guitar amps. Below, AC50 serial no. 02666, actually a metal-clad sloping-front PA.
A new page now started, bringing together dealer ads and small ads for Vox AC50s published in newspapers and magazines in the 1960s - click here. It's also accessible on the main index page for Vox promotional material.
25th May (2)
Melody Maker magazine, 14th August 1965. Probably a small-box Mark 1 AC50. Large box AC50s are considerably wider than T60 speaker cabinets and were never formally issued with them in the 1960s.
Left: Melody Maker newspaper, 17th April 1965, advert for the National Beat Contest. Right, Beat Instrumental magazine, March 1966. Ads for the AC50, 1965-1967, are being collected together here.
Judging by the ads in the back of Melody Maker magazine, Vox AC50s paired with Line Source speaker columns seem to have caught on as PA amps. There is also this short notice:
24th May (2)
From the small ads of Melody Maker magazine, 13th March 1965: "1964 (July) Vox AC 50 Amp. Bass Amplifier, £90". Given the date of purchase, evidently a small box AC50 Mark 1, either thin or thick edged.
Melody Maker magazine, 30th January 1965: a Vox A.C.50 Super Twin and Stand" for £184. This was the standard retail price at the time.
Melody Maker magazine, 2nd January 1965 [CORR]. Macari's Musical Exchange in Edgware (the first shop) also had a new one to sell. The two-year Hire-Purchase terms are noted.
A further amp with a serial number low in the 4000s - its plate being two-line - added here. Three-line plates come in around serial number 4150.
AC50 serial number 4094 now registered here. The amp is similar to no. 4083, immediately above it on the page. Thanks to Jerry for the pictures.
Continuing the theme of adverts, above, one first published in "Beat Instrumental" magazine, May 1966 - perhaps a sort of passing reference to the AC50's name in the U.S.A. in 1965: the "Royal Guardsman". By May 1966, however, sales of English valve amps had more or less come to an end.
Currently on Gumtree UK, serial number 1931. Valve rectified (Mark 2) and in good external order. Probably from late 1964. "AC50" is handstamped, the serial number machine-stamped.
Serial number 3619 (above) now registered here. The presence of the 0.05uf 800v grey Radiospares capacitor in the preamp by the choke indicates that this amp was made for export to the USA. Note also the original sticker "Taylor-Made Woodware" on the underside of the slider board. Thanks to Don for info and pictures.
AC50 serial number 3640, solid state rectified, pre-brimistor. From the third quarter of 1965. Pot codes "EM" = May 1965. Great condition. Thanks to Peter for the pictures. Further coverage on this page.
Some transformers from two AC50s: output from serial number 5369 (1966); and mains from a Dallas Arbiter amp (1975):
The two images above, the output transformer from serial number 5369 its the plain metal shroud lacking. The black-shrouded units were introduced shortly after this amp had been produced.
The mains transformer from a Dallas Arbiter amp.
A picture page now set up on AC50 serial number 3339, supplied by Servaas Muziekhandel in The Hague with a UL760 cab. Thanks to Philippe.
Below, a couple of 18" Celestion speakers in Jennings blue from early Foundation Bass cabs (before mid 1964). One is a T1022, the other a T1079. Both are 8ohm. The speaker on the left has been reconed.
Pulsonic code of the original cone in the right hand speaker.
Above, a detail of the metal dust-cap, which has a black rubber trim strip around its edge.
14th April (2)
Further pictures of AC50 serial number 1503, valve rectified, early style large box, added here.
Above, the first advert for the large box AC50 published by Vox in "Beat Instrumental" magazine, August 1965.
"Beat Instrumental" magazine, November 1965: advert for the large box AC50 Super Twin, the amp slightly squint on the trolley.
Note that the large box AC50 had already been represented, however, in UK and US brochures published in late 1964 and early 1965. See this page for examples.
A page from a German brochure, printed in September 1967 and circulated in 1968. 2628 deutsche marks (for the AC50 super twin) was equivalent to around £260 - £4300 or so in today's money (according to the Bank of England inflation calculator). The amp alone was 1188 deutsche marks = £110 in 1967 = £1800 today.
Page 4, which advertises two 7-series amps - the UL710 and UL730 - is posted here.
Above, excerpts from the British retail pricelist of April 1967. Prices in Germany were around 50% more than in the UK.
AC50 serial number 1503 from the last third of 1964. Note the early box with cut-outs in the baffle. The corner protectors are later replacements for the original single pin protectors, now gone. Further pictures to follow. Thanks to Peter.
6th April (2)
"Formula 1" (from the West Midlands) pictured in late 1964 with a small-box (presumably diamond input) Foundation Bass set, similar to the one with Johnny Hallyday's band, below.
Two shots of Johnny Hallyday and band from Getty Images, the first from 1967, the second 1966. Great views of the brown-fronted diamond-input amp and Foundation Bass cab.
"Vox Sound Equipment Limited" AC50 serial no. 1081, the highest number to have surfaced so far. The cab is a Jennings Electronic Industries B1 (bass, 1 x 18"), from 1969-1972. Further pictures here. Thanks to Roland.
Pentangle on stage, Copenhagen, September 1969, with two AC50s - one with new-style logo, one old. Pictures from Getty Images.